introduction

Influences within my work stem from the environment, social space and Buddhist principals. The installations are made using materials such as sugar, plants and light.

I use slow, repetitive construction processes to question the relationship between the value of time and materiality. Although the making process is highly controlled, the organic matter used within the work allows it to have a life independent from the art work itself.

The ephemeral qualities of the work require it to be viewed in terms of construction and deconstruction, not necessarily a ‘finished state’.